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Portable Declines August Protest And Claims It’s for the Poor

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Photo source: Google

Nigerian singer Portable has made headlines with his recent comments about the upcoming nationwide protest scheduled from August 1 to August 10, 2024.

Dubbed #EndBadGovernance, this protest aims to address and challenge issues of poor governance in Nigeria.

Portable, known for his controversial statements, has expressed his view that such protests are primarily for those who are economically disadvantaged.

In a recent viral video, Portable reflected on his past involvement in the 2020 #EndSARS protests, stating that his participation at the time was influenced by his financial struggles.

He suggested that his current perspective is shaped by his improved financial situation.

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Portable argued that wealthy individuals, like billionaires Aliko Dangote and Femi Otedola, typically do not engage in protests, implying that his current stance aligns more with that of affluent individuals.

He contrasted his past and present viewpoints, noting that those with significant wealth, such as Dangote and Otedola, do not typically take part in such demonstrations.

Portable emphasized that his previous participation was driven by his economic status at the time, and now that he has achieved financial stability, he believes his thinking has evolved to align with that of wealthier individuals.

The artist also pointed out that other prominent figures, like Dele Momodu, also refrain from participating in protests, suggesting that people in his current economic bracket would generally avoid such activities.

Portable, who gained prominence with his hit single ‘Zazoo Zeh’ in 2021, has declared that he will not be joining the upcoming protest due to his current financial comfort.

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Joey Essex and Jessy Potts Split

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Love Island Couple, Joey Essex and Jessy Potts, have ended their relationship after seven weeks of dating. The couple confirmed their split in a joint statement, expressing hopes to stay friends. Jessy reflected positively on their time together and looked forward to new opportunities.

Joey, who initially paired with Samantha Kenny and then Grace Jackson on *Love Island* season 11, shifted his focus to Jessy when she entered the villa. Despite their strong connection, their relationship was questioned by other Islanders before they were voted off. Joey and Jessy continued dating after the show, even attending the National Television Awards, but ultimately decided to part ways.


 

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Oxlade Reveals Cultist Threats Behind Dropout

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Nigerian singer Oxlade revealed he dropped out of Lagos State University (LASU) in his final year due to threats from cultists. He explained that gangs targeted him because of his looks, forcing him to leave school and later run away from home, unable to tell his family the real reason.

In an interview on the *Tea with Tay Podcast*, Oxlade shared how his grandmother unknowingly saved his life by urging him to come home to Ibadan. Shortly after he left, his roommates were attacked by the gang. He acknowledged that LASU has since improved its focus on academics and safety.


 

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Pheelz: “Music is Divine, Not a Get-Rich-Quick Scheme”

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Nigerian artist and producer Philip Kayode, popularly known as Pheelz, has expressed his belief that music should not be viewed as a get-rich-quick scheme, a perception held by some people.

He emphasized that music holds a deeper, more spiritual significance beyond financial gain.

According to Pheelz, music is a divine force that brings healing and serves as a connection to higher powers.

He further explained this idea on his X (formerly Twitter) account, where he shared his thoughts on the essence of music.

In his words, “Music is not a grind. It is not a hustle or a shortcut to wealth. Music is life, it is feeling, healing, and ultimately, music is God.”

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In a separate post, Pheelz also shared his view on the music industry, distinguishing the art of music and the business side of it.

He suggested that while music itself is divine, the music business is humanity’s way of trying to commercialize something that stems from a higher power.

He described the music business as “man’s attempt to commodify God’s energy” while maintaining that the essence of music itself remains sacred.

This perspective is noteworthy in the context of Afrobeats, where many up-and-coming and established artists have often cited poverty and financial struggles as key motivations for their careers.

Pheelz’s message seems to offer a different approach, urging both artists and listeners to recognize music as a spiritual journey rather than just a means to financial success.

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