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Rema Comments on $3M Rumor for Ambani Wedding Performance

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Nigerian afrobeats sensation Rema has addressed the speculation surrounding his performance at the high-profile wedding of Anant Ambani and Radhika Merchant, where it was rumored he received $3 million.

The wedding, which took place on July 12 at the Jio World Centre in Mumbai, saw Rema perform his popular hit “Calm Down.”

Reports by Hindustan Times suggested that Rema was paid $3 million for his appearance, a figure that sparked significant buzz. In a recent interview with GRM, Rema was asked to confirm these reports.

He responded with a chuckle, stating, “Hehehe. That’s what I can say, to be honest. Money-wise, but overall, it was a great treatment. It was beautiful.”

Rema went on to express his deep appreciation for the experience and for India. He noted, “I love India. India loves me, too.

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It’s amazing to see how things have turned around from the criticism I faced. If I had listened to the trolls and changed my sound, I might not have seen this success.”

He also highlighted his groundbreaking role in the afrobeats genre, mentioning, “It’s not just about the wedding. It’s about the reception everywhere I go.

I’m possibly the first afrobeats artist to tour India, and maybe even the first African artist to do so. The response has been overwhelming, even more intense than the reception I receive in Nigeria.”

Rema’s comments reflect not just his excitement about his success but also his gratitude for the opportunities and recognition he has gained, underscoring his growing influence in the global music scene.


 

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Joey Essex and Jessy Potts Split

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Love Island Couple, Joey Essex and Jessy Potts, have ended their relationship after seven weeks of dating. The couple confirmed their split in a joint statement, expressing hopes to stay friends. Jessy reflected positively on their time together and looked forward to new opportunities.

Joey, who initially paired with Samantha Kenny and then Grace Jackson on *Love Island* season 11, shifted his focus to Jessy when she entered the villa. Despite their strong connection, their relationship was questioned by other Islanders before they were voted off. Joey and Jessy continued dating after the show, even attending the National Television Awards, but ultimately decided to part ways.


 

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Oxlade Reveals Cultist Threats Behind Dropout

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Nigerian singer Oxlade revealed he dropped out of Lagos State University (LASU) in his final year due to threats from cultists. He explained that gangs targeted him because of his looks, forcing him to leave school and later run away from home, unable to tell his family the real reason.

In an interview on the *Tea with Tay Podcast*, Oxlade shared how his grandmother unknowingly saved his life by urging him to come home to Ibadan. Shortly after he left, his roommates were attacked by the gang. He acknowledged that LASU has since improved its focus on academics and safety.


 

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Pheelz: “Music is Divine, Not a Get-Rich-Quick Scheme”

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Nigerian artist and producer Philip Kayode, popularly known as Pheelz, has expressed his belief that music should not be viewed as a get-rich-quick scheme, a perception held by some people.

He emphasized that music holds a deeper, more spiritual significance beyond financial gain.

According to Pheelz, music is a divine force that brings healing and serves as a connection to higher powers.

He further explained this idea on his X (formerly Twitter) account, where he shared his thoughts on the essence of music.

In his words, “Music is not a grind. It is not a hustle or a shortcut to wealth. Music is life, it is feeling, healing, and ultimately, music is God.”

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In a separate post, Pheelz also shared his view on the music industry, distinguishing the art of music and the business side of it.

He suggested that while music itself is divine, the music business is humanity’s way of trying to commercialize something that stems from a higher power.

He described the music business as “man’s attempt to commodify God’s energy” while maintaining that the essence of music itself remains sacred.

This perspective is noteworthy in the context of Afrobeats, where many up-and-coming and established artists have often cited poverty and financial struggles as key motivations for their careers.

Pheelz’s message seems to offer a different approach, urging both artists and listeners to recognize music as a spiritual journey rather than just a means to financial success.

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