Entertainment
Nigerian Man Discusses Davido’s Custody Battle with Sophia Momodu
Okey Aliyu, a Nigerian man, recently shared his views on Davido’s legal action against Sophia Momodu regarding their daughter, Imade. Aliyu believes that Davido might face challenges in gaining joint custody due to traditional Igbo customs.
According to Aliyu, in Igbo culture, children born before the payment of bride price are typically considered to belong to the mother’s family. He explained that without the formalities of paying the bride price and marriage, the child legally belongs to the mother.
This cultural aspect, Aliyu suggests, could impact Davido’s custody case, emphasizing that Davido’s failure to meet these traditional requirements before Imade’s birth may hinder his chances in court.
“I love the Igbo culture so much. If you impregnate a lady as a guy in most Igbo part of this country without paying her bride price, you already know the child belongs to the girl’s family and not yours as the guy,” he wrote.
“Let me rephrase; I hope you know in Igbo land, if you impregnate a lady and she gives birth without you paying her bride price, even if you later marry her, the child she gave birth to before you paid her bride price isn’t yours. hope you know?
“We start counting your legitimate children from the ones she birthed after you paid her bride price. Except her parents wants to pity you by giving you the child. By right, it’s not your child.
“I said let me notify you incase you don’t know how the culture works
“I always laugh whenever I see people fighting over custody of children they didn’t pay any kobo on the lady that birthed the child as bride price. Culture dey Sha
“If na my side you kon drag Pikin wey you no pay bride price for the girl head ehhh, your front teeth for don loss. Yes, you can’t win anywhere no matter your money and connection…” the man said part.
Entertainment
“Men Are Intimidated by Women Who Make Their Own Money” – Cardi B Claims
American rapper Cardi B recently shared her thoughts on modern dating dynamics, claiming that men often prefer dating less conventionally attractive women because they tend to be more submissive compared to women considered “perfect 10s.”
In her typical unfiltered style, Cardi B stated, “Men prefer less attractive women because they are more submissive than perfect 10s.”
Her remarks led to discussion online, prompting her to elaborate further on X (formerly Twitter).
She clarified that the discussion centered around the challenges men face when dating women who are financially independent and self-sufficient.
According to Cardi, some men are intimidated by women who make their own money, as such women are harder to control.
She even shared a personal anecdote about a man who confessed to her that he prefers dating women who rank as “6s” on the attractiveness scale rather than “10s”.
His claims that because they are less demanding and easier to manage in a relationship.
Entertainment
Beyoncé Breaks Records as the Most Certified Female Artist in the Music Industry
Beyoncé has officially made history, claiming the title of the most certified female artist of all time, according to the Recording Industry Association of America (RIAA).
This monumental achievement was reached after several of her hit songs recently earned new certifications, pushing her total to an impressive 103 RIAA-certified titles.
Her remarkable feat includes the milestone of receiving her first two Diamond certifications for two of her most iconic songs: Halo and Single Ladies (Put a Ring on It).
RIAA took to social media to share the news, highlighting Beyoncé’s groundbreaking achievement: “Crowning achievement!
Congratulations to @Beyonce, who now holds the record for the most certified titles for a female artist in RIAA history, including her first two Diamond singles! @parkwood @columbiarecords.”
Beyoncé’s record-breaking certifications don’t stop there.
Her album Renaissance has been certified 2x Platinum, reflecting the album’s widespread success and significant influence in the music world.
Lemonade, her critically acclaimed 2016 album, has earned a 4x Platinum certification.
Meanwhile, her earlier works, I Am… Sasha Fierce and Dangerously In Love, have each reached a massive 7x Platinum status.
Entertainment
“Navigating the Music Business Wasn’t Easy” – Tems Speaks on Her Early Career
Nigerian music sensation Temilade Openiyi, widely known as Tems, has opened up about the challenges she faced at the start of her music career.
The Grammy-winning artist, who gained international recognition with her feature on the hit song Essence, revealed that she was quite inexperienced during her early days in the industry.
In an interview with Glamour Magazine Germany, Tems reflected on how her initial approach to the music world was rooted solely in her passion for art.
She admitted that, while her intentions were pure, her understanding of the business side of music was limited.
“Honestly, I was incredibly naive when I first started,” she said.
“I just wanted to create good music and share my art with the world. But I soon realized that navigating the music industry required more than just talent.
It took me time to understand how to manage the business aspects in a way that wouldn’t compromise my well-being.”
Tems’ journey hasn’t been one she walked alone.
She acknowledged the crucial role her management team and her family have played in keeping her centered.
Her mother, who has been a strong influence in her life, and her brother, whom she shares a close bond with, have offered unwavering support.
“My family, especially my mother and brother, are my foundation,” she explained.
“They, along with my management, help me stay grounded through everything.”
Born in Lagos in 1995, Tems grew up with a deep love for music.
Her breakthrough came in 2020 with the release of Damages and her collaboration on Wizkid’s Essence, which propelled her to global fame.
The song earned her a Grammy nomination and solidified her place on the international music scene.
Since then, she has worked with top global artists, including Drake and Future.
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