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Oxlade Reveals Racial Abuse in France and Inspiration Behind Debut Album

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Nigerian singer Ikuforiji Olaitan, widely known as Oxlade, recently opened up about a painful incident of racial abuse he experienced in France, which deeply influenced his artistic journey.

In a revealing conversation on The Datebizz podcast, Oxlade shared how the disturbing encounter in Monaco shaped the title of his debut album, Oxlade From Africa.

According to the singer, the event was a significant turning point in his life and career, awakening him to the harsh realities of racial discrimination.

Recalling the incident, he said, “I decided to name my album ‘Oxlade From Africa’ because I was racially abused in France, precisely Monaco.

That was what woke me up to be an African. It also made me realise that African stigma exists.”

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He explained that while Africans view themselves as regular human beings, the perception abroad can often be dehumanizing.

“In Africa, we see ourselves as normal human beings but outside Africa, they [foreigners] see us as monkeys, strange beings,” Oxlade lamented, highlighting the racial prejudice that many Africans face when traveling or living abroad.

A graduate of History and International Relations, Oxlade also offered a critical reflection on the names “Africa” and “Nigeria,” stating that both terms carry derogatory connotations.

He believes that these names, imposed during colonial times, continue to influence how the rest of the world perceives Africans, perpetuating stereotypes and stigma.

This perspective adds a deeper layer to his music, where themes of identity and African pride play a significant role.

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Oxlade’s experience underscores a broader conversation about the global African identity and the challenges of confronting racism in international spaces.

His album Oxlade From Africa serves not only as a personal statement but also as a cultural expression of pride in his heritage, born from adversity and resilience.

Through his music, Oxlade seeks to address these issues, creating a platform where African voices can rise above prejudice and reclaim their narrative.


 

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Entertainment

Omah Lay Says He’s the Greatest of His Generation Even Without Proof Yet

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Omah Lay has declared himself the greatest of his generation, and as expected, it’s got people talking. The singer made the bold statement on his X handle, where he confidently told fans that even though there may be no proof right now, the world will soon see it.

“Hi guys! My name is Omah Lay and I am the greatest of my generation. I don’t have proofs right now but there will be a lot in the future. Thanks. Yours truly, Boy Alone,” he wrote.

Omah Lay has been one of the standout names in Afrobeats over the last few years. His hit songs like Soso, Understand, Godly, and tracks from his debut album Boy Alone have earned him both love and critical acclaim. While some feel his confidence is well-deserved, others believe he still has a lot to prove before claiming such a title.


 

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Rapper Skepta Calls Out U.S. Rappers for a Battle to End UK/US Rap Debate

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British rapper Skepta challenges his colleagues to a rap battle. The rapper recently spoke on the long debate about who is better — British or American rappers — and said this challenge will help put an end to the debate.

He took to his official X page and shared: “I wanna clash an American rapper anyway, finally get this UK/US rap debate sorted.”

The rapper also shared that he’s bringing more UK rappers on board to make the challenge more interesting against the American rappers.


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“He’s Taking Advantage of Young Talents” – Reekado Banks Exposes Industry Sabotage

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Nigerian singer Reekado Banks reveals and shares a warning regarding a figure in the music industry who is taking advantage of younger talents.

The singer revealed in a recent interview that there are some figures you work with in the industry, and things will stop working out for you until you realize it’s sabotage.

“There is one big man in the music industry who is demonic and taking advantage of young talents. I have worked with him before. Other young artistes have also worked with him.

I am not going to mention his name for now, but he knows himself. It would be nice to educate young artistes about this man so they don’t get wrapped up in his mess.”


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