Singer CKay recently took a jab at some of his peers in the Afrobeats scene, claiming they once mocked him for his unique sound but are now emulating his style.

The artist behind the viral hit “Love Nwantiti” asserted that he has been a pioneer of many trends that current Afrobeats artists are now capitalizing on.

Reflecting on his journey, CKay recalled how he was ridiculed when he began promoting Afrobeats on TikTok.

At the time, his innovative approach was met with scepticism, but now many of those who laughed at him have adopted similar strategies, albeit under different names.

On his X (formerly Twitter) account, CKay wrote, “History can’t be rewritten just because some people got paid to rewrite it… I’ll always be here to remind you.”

He confidently declared, “CKay is the first. I pioneered many vibes Afrobeats artists thrive off today… if you know, you know.

You all laughed when I introduced emo-afrobeat and spent hours on TikTok, but now many are doing the same thing, calling it ridiculous names and making money. You’re welcome, though.”

CKay’s remarks highlight the challenges of innovation in the music industry, where originality can often be met with resistance before it gains acceptance.

His experience serves as a reminder that staying true to one’s artistic vision can eventually lead to broader recognition and influence.

Nollywood actor IK Ogbonna has criticized the Christian Association of Nigeria (CAN) over reports of “fake miracles” in some churches.

In an Instagram post on Wednesday, Ogbonna condemned the misuse of God’s name for deceitful purposes, calling it a betrayal of the gospel. He urged Christians to be wary of social media trends that undermine their faith and called on the federal government and CAN to regulate and hold those responsible accountable.

Spotify has marked the 10th anniversary of Wizkid’s hit single “Ojuelegba,” recognizing its significant impact on the global music scene.

In a statement by Phiona Okumu, Spotify’s Head of Music for Sub-Saharan Africa, it was highlighted that the song has garnered over 55 million streams since its debut in 2014.

“Ojuelegba” played a pivotal role in shaping the rise of Afrobeats, propelling the genre onto the world stage and capturing the attention of millions of fans across different continents.

Okumu noted that the track’s influence extends far beyond its Nigerian roots, resonating with listeners in the United States, the United Kingdom, the Netherlands, France, and Nigeria, which make up the top five countries streaming the song.

As one of Wizkid’s most defining works, “Ojuelegba” solidified his place as a leading figure in African music.

It not only became a cultural anthem but also contributed to the growing global recognition of Afrobeats.

Okumu emphasized that the song continues to be celebrated, even a decade later, as one of the most iconic tracks in the genre’s history.

This milestone reinforces the power of African music and its ability to influence global trends.

The anniversary of “Ojuelegba” serves as a reminder of the immense talent within the African music scene and the continued global expansion of Afrobeats.

As the genre keeps evolving, Wizkid’s legacy remains firmly entrenched, with “Ojuelegba” standing as a timeless testament to his artistry and the global reach of African sounds.